From the Keyboard
Ghosts of Lincoln
 The sun was heading over the hills of the narrow valley when we first took a   walk down the main street of Lincoln, New Mexico. A hundred plus years ago Billy   the Kid had watched this same type sunset, the same grey/blue sky with the   thunderclouds still fresh above.
The sun was heading over the hills of the narrow valley when we first took a   walk down the main street of Lincoln, New Mexico. A hundred plus years ago Billy   the Kid had watched this same type sunset, the same grey/blue sky with the   thunderclouds still fresh above. 
              
              Billy’s mentor, John   Henry Tunstall, had seen the same type puddles in the pot holes of the dirt road   and felt the water hang in the air. Tunstall's best friend and business partner,   Alexander McSween, had walked along the wooded boards in front of the general   store, his boots echoing off the roof over his head. 
              
              These were the good   guys, if any good guys could be proclaimed in the bloody battle known as the   Lincoln County Cattle Wars which lasted through 1878 and 1879. 
              
              According   to Lincoln historian, Tim Hagaman, Englishman Tunstall came to Lincoln, New   Mexico, declaring he was going to make a life for himself in the narrow valley.   He was going to raise his cattle and open his general store and bring in half of   every dollar spent in Lincoln, selling the beef he raised on his nearby ranch.   He joined forces with Alexander McSween. 
              
            Only competition   wasn’t something established rival store owner, Lawrence Murphy,   took kindly to. The Irishman had his own partner, J.J. Dolan. They ran their own   store and wanted to keep things just as they were.
            
            Murphy hired gunslingers to protect his interest. These ‘Murphy Men’   stood on one side of the war zone. Tunstall followed suit with his   ‘Regulators’ and the hills and streets of Lincoln became a   battlefield.
            
            Tunstall was murdered in cold blood after surrendering his   weapon to Murphy Men. Too far away to help, his own Regulators could only watch.   In retaliation, Billy the Kid and Company ambushed Sheriff William Brady,   killing him as he walked down the streets. 
I’ve heard tell that when you   visit a scene of a combat you can feel the death in the soil, as if the energy   allotted that one piece of ground was used up in that fierce struggle, that the   blood which soaked the ground left the land totally spent.
		        
		      I’m   an old west traveler, having visited many of the infamous sites of outlaws. When   I stood at the base of the Red Wall at Hole in the Wall there was a feeling of   serenity, as if the smiling Butch Cassidy left his love of life and laughter in   land he called home. 
		      
		      In Tombstone, it was the commercialism that ruined   the Old West picture. With practically every shred of the shadows gone, save for   the Bird Cage Theater where Wyatt Earp and Doc Holliday played poker and faro.   Inside stood the very piano the highly educated Doc might have tinkled on. My   fingers itched to ignore the ‘Do Not Touch’ sign and tap out the keys   to hear the same notes Doc might have heard. I resisted with a heavy sigh.
		    
		    
		     But what you feel in Lincoln, in the air and from the ground, is very different.   You walk these streets and shiver. When you want to look over your shoulder, you   half expect some young outlaw from long ago to be there waiting for you, giving   you the eye and unnerving you into backing down.
But what you feel in Lincoln, in the air and from the ground, is very different.   You walk these streets and shiver. When you want to look over your shoulder, you   half expect some young outlaw from long ago to be there waiting for you, giving   you the eye and unnerving you into backing down.
		    
		    If you listen real hard   in the stairwell of the Lincoln County Courthouse house where Billy the Kid was   held in 1880 for Sheriff William Brady’s 1879 murder, you can   almost hear the echo of the gunshots of a hundred years ago when Billy got the   upper hand and shot J. W. Bell and Robert Ollinger to death in his escape.
		    
		    “Hey Bob,” Billy shouted down from the second story window   to Ollinger, on the ground below. Billy pulled back on the triggers of both   barrels, killing Ollinger instantly. 
		    
		    If you stand real still, you can   almost feel the report through the ground before it travels up your spine.   Bullet holes still mark the walls in at the base of the stairs. 
		    
		    Twentieth Century Fox’s 1988 movie ‘Young   Guns’ brought Lincoln, New Mexico back into the lime light, even   if it was filmed at another location. Though residents say they love the film,   they do admit that it is only about 10% accurate. Still, that’s   higher than any of the other eighty plus film that have been done on the life of   Billy the Kid.
		    
		    Lincoln is not a place you get to on your way to anywhere. 
		    
		    Located roughly thirty miles from Ruidoso, New Mexico and fifty from   Roswell of alien fame, it is a one road town, ten miles from historic marker to   historic marker with a cemetery at one end. In it, George Peppin, Lincoln   sheriff during the Wars. Peppin is the only participant in the Cattle War to   make this graveyard his final resting place. 
		    
		    And there was no shortage   of casualties.
		    
		    Sheriff Brady was ambushed by Billy the Kid and company in   front of Tunstall’s store. McSween died with others as they tried   to escape from McSween’s with Billy. Murphy Men waited for them outside   with an army regiment. The house was set ablaze and the men trapped inside ran   for the river. McSween didn’t make it. Neither did some   of their friends.
		    
		    Lawrence Murphy died of cancer years later after losing   his Lincoln holdings. 
		    
		    No one won in the end. With their leaders gone,   both general stores ultimately failed. The battles they fought and the lives   they took were all in vain.
		    
		     There was a young women sitting out in   front of Lincoln's Courthouse the day I was there. She and her little baby were   waiting for her husband, the curator of the museum inside. “My   great, great, great grand-dad was there that day they escaped from McSween's   burning house,” she told me. “He was in there   with them but had taken too many bullets to run. He played dead, hiding under   the bodies of his friends for days until he could sneak away.”
There was a young women sitting out in   front of Lincoln's Courthouse the day I was there. She and her little baby were   waiting for her husband, the curator of the museum inside. “My   great, great, great grand-dad was there that day they escaped from McSween's   burning house,” she told me. “He was in there   with them but had taken too many bullets to run. He played dead, hiding under   the bodies of his friends for days until he could sneak away.”
		    
		    That’s Lincoln. Where the people and their ancestors   still walk side by side. Some are there to talk to you, to show you the sites   and tell you their family stories.
		    
		    Others are there to watch -- silently   -- as you pass through their town.
Photos by Jacqui Jacoby